Artists Unite Issue

January 31, 2007

here: this, finally

Filed under: WebLog — Peter Ferko @ 1:15 pm

After a short winter hiatus, artists are asking me when we will start up with Now:Here:This again. I am happy to honor their request. The next “art spark” (make work):

Friday, February 2 at 16:00 GMT (aka 11 Eastern).
(Get me that work by Friday, February 9.)

Cheating is allowed, but only if you follow the cheating rules. Details and the archive of previous exhibitions are here.

Turning the Subway into a “happening”…

Filed under: Events, WebLog — Peter Ferko @ 12:35 pm

NYC Art Star is stepping up to the plate and doing something with the amazing walls of torn down subway posters on the A Train’s 190th Street station. While the theory and the instructions provided on their web site reads like Sol LeWitt’s notebooks, I’m sure it all translates into a good creative time. Take a gander and sharpen your Sharpie. Here’s the announcement with dates (it coincides with Washington Heights & Inwood Uptown Arts Stroll):

ARCHETYPE
IN A
BOTTLE

For seventeen days in June 2007, the 190th Street A-train Subway Station will be an Art Gallery hosting a Solo Exhibition that encourages the viewers to become participants and run amok.

1 – 17 June 2007
Washington Heights
Manhattan

January 29, 2007

aperture, last year’s model…

Filed under: WebLog — Peter Ferko @ 3:40 pm

Aperture Foundation has quite a pedigree:

Aperture—the premier not-for-profit arts institution dedicated to advancing fine photography—was founded in 1952 by six profoundly gifted individuals possessed of lofty ideals and high ambition: photographers Ansel Adams, Dorothea Lange, Barbara Morgan, and Minor White; historian Beaumont Newhall; and writer/curator Nancy Newhall. With scant resources, these prescient artists created a new periodical, Aperture magazine, to serve the medium, and photography users and fine art lovers worldwide.

The Foundation’s home on 27th Street in Chelsea includes a medium-sized gallery space whose current exhibition celebrates the previous year’s magazine highlights — and I mean highlights. I appreciated the chance to see in person the great work that I had enjoyed over the course of the year in articles and photo essays. My favorites are the works by Lalla Essaydi, who photographed Moroccan woman whom she covered in henna’d Islamic calligraphy; William Christenberry’s Americana (which I talked about here), and Edgar Martin’s night beach photos (which I mentioned here) and are even more striking in person.

The show is up until March 8.

January 28, 2007

Bill Moyers, author of “A New Story…”

Filed under: WebLog — Peter Ferko @ 10:17 am

I recently said, I like to keep a connection to art on everything that shows up here.  I listened to a WNYC conversation about Mayor Bloomberg’s revision of the arts funding protocol in New York last week that mentioned how artists can no longer afford to live in New York. We had a poignant example of that in our interview with Hal Hartley last week.

But the whole thing points to a much bigger issue, and I guess art is pretty tangential if it can’t target the whole. So I’ll point to this video of a speech and subsequent article from The Nation as food for artistic thought:

… human beings are more than the sum of our economic appetites and that our country is more than an economic machine…
- Bill Moyers, December 12, 2006

January 26, 2007

Currin porn

Filed under: WebLog — Noddy Turnell @ 3:15 pm

A while ago we discussed using photographs for paintings.  John Currin Revisited is a post on Chris Rywalt’s blog which shows the Currin painting alongside the porn it was copied from.

I guess this ties in with a few of our discussions here.

If a painting is hung in the forest and no one sees it is it art?

Filed under: WebLog — Noddy Turnell @ 1:25 pm

Great post over at edward_ winkleman called losing my assumptions.

It’s the age old debate what is art as applied to outsider art and intention. If a painting is hung in the forest and no one sees it is it art?

Paulo Coelho’s wife, CHRISTINA OITICICA, is an artist who stashes her finished work under a tree in the rainforest or buried in the desert then collects it years later to be sold.

Anyway theres a video on the winkelman post you must watch.  He says he looks at life differently since seeing the video if that’ll get you to watch it.  I’d put the video here but the context of the discussion makes a difference so go see it and comment please.
Whether i’m in New York making art for a show in a Chelsea gallery or here in Hemet sketching for my eyes only i still don’t have to concern myself with whether its art or where it fits in art history.  Not that there’s anything wrong with that it just doesn’t help.  I guess I can look back and see, but not when i’m making it.
Those thoughts creep in in the art making moments and i choose not to engage them.  Sorta like in meditation.

January 24, 2007

thanks, but no thanks…

Filed under: WebLog — Peter Ferko @ 8:50 pm

Okay, how many new web-based art gallery projects have you been asked to join this month? I feel kinda sensitive about this, since I run an online gallery project, but at least ours has unique content.

Saatchi did us a sorta favor, by opening Your Gallery, but what does it mean to have 10,000 self-selecting artists in a gallery even if you do get to say you’re showing with Saatchi (um, Saatchi Your Gallery, that is)? The latest promo I got is from ArtFaceOff.com, who claim to have 400,000 hits a day and is going to present a year-end show that will rival the Oscars?! Puh-leeez!!!

January 23, 2007

Blow the City

Filed under: Opportunities — Noddy Turnell @ 11:26 am

illustration from The Wooster Collective

Blow The City  wants balloons!

Please send us your peronal designed balloon!
No rules, just put something on it, whatever/ however you like.
Somewhere in the end of february we’ll blow our city! (Ghent.be)
We’ll hang them in town over night and make people smile at sunrise!

You could call this a street-art –project iff you like…
Let’s blow the city!

Balloon sending address:
blow the city
kammerstraat 19
9000 GENT
BELGIUM

Profile:
We like to know who you are and where you’re from,
so please send your profile with the balloon…

Ballooncount: only 22 so far :( germany leads!

January 22, 2007

five things on your mind?

Filed under: WebLog — Peter Ferko @ 1:47 pm

5.jpgJames Huckenpahler created a long-lived recurring project called Five Things that I had the good luck to be part of. We’ve tried to pay tribute to that project here, with contributions from former participants James and Jason Gubbiotti. You can see an archive of Five Things here (it starts with the last entry, so pull down its archive menu). Our redux is here for Huckenpahler and here for Gubbiotti.

I thought it might be fun to open up a call to others. What are the five things that most influenced your art practice this week/month/year? Send it to me at editor@artistsunite-ny.org. (If you want to include images, keep them approx. 200×300 pixels).

January 20, 2007

Art Opening: Sky Pape in Allentown, PA

Filed under: Events — Sky Pape @ 10:34 am

Drawing Breath, an exhibition of drawings by Sky Pape, opens at Cedar Crest College, Tompkins Gallery in Allentown PA on January 22, and runs through February 18, 2007.

Opening Reception and Artist’s Presentation, January 22 at 4pm.

Cedar Crest College, 100 College Drive, Allentown, PA 18104-6196.

Gallery Hours: Monday-Sunday, 9am-9pm.

Telephone: 610-606-4666 x 3469

Image: Detail of “Plexus”, 79 3/4″ x 60″, Ink on Paper, 2006, Courtesy of June Kelly Gallery © Sky Pape

January 19, 2007

Joel Adas

Filed under: Events — Peter Ferko @ 8:32 am

Joel Adas
Alessandro Keegan
Eric Therrien

The Landscape Within
Paintings and Works on Paper

January 19-March 4

Reception January 19, 6-9 pm

A.M. Richard Fine Art
328 Berry Street, 3rd Floor
(Williamsburg, between S.4th and S.5th)
Brooklyn, NY

image: Joel Adas, Branches and Clouds, oil on linen, 10″ x10″, 2006

January 18, 2007

Art Buchwald, 1925-2007

Filed under: WebLog — Peter Ferko @ 4:52 pm
via the BBC,
US satirist Buchwald dies aged 81

Art Buchwald in a May 2006 file photo

Buchwald said dying was easier than finding parking in Washington

Art Buchwald, a Pulitzer Prize-winning US writer and author of 33 books, has died at the age of 81, his son says. Buchwald had been suffering from kidney failure and had checked into a hospice in February 2006, but checked himself out again several months later.

Known for his wry humour, he published his final book, Too Soon to Say Goodbye, in November of last year.

The book includes his plan for getting a big newspaper obituary: Don’t die on the same day as a Nobel Prize winner and includes classic Buchwald observations, such as that dying is not as difficult as finding a place to park in Washington, DC.

recent and highlight articles you might have missed…

Filed under: Articles — Peter Ferko @ 10:14 am

Recent writing:

And from the archives:

shakespeare auditions

Filed under: Opportunities — Peter Ferko @ 10:09 am

Auditions for Shakespeare Saturdays Coming up soon…
http://www.moonbeam.net/SSAuditions.shtml

You are invited to join the Yahoo Group for Shakespeare Saturdays, the Shakespeare group in northern Manhattan. We do readings of Shakespeare’s plays at the New York Public Library in Inwood. However, this band of intrepid explorers to the northern reaches of the city gets its rewards. Many of our readers have been involved with full productions, and have been given opportunities to work with some great new directors and make more contacts.
You will hear on this group audition notices for our readings, as well as other auditions for Shakespeare productions as they pass under my nose.
That being said, we are holding our auditions very soon. Please visit this website
for more details:
http://www.moonbeam.net/SSAuditions.shtml

The main mission of the series is to provide opportunities to minority actors, but we are not exclusive.

creative venue

Filed under: WebLog — Peter Ferko @ 7:36 am

I know I put lots of ideas on the back of cocktail napkins:

Drinking Liberally: A New Strategy for Progressive Politics, via Alternet.

(The rules? We don’t need no stinkin rules — and you don’t even have to drink…)

January 16, 2007

Naqshon’s Leap Rocking for Darfur

Filed under: Events — Peter Ferko @ 3:49 pm

Come out to hear and support Darfur with –

Naqshon’s Leap - www.myspace.com/naqshonsleap

a Jewish guitarist, Bahai rapper, Christian Gospel Bassist, and
Master Drummer,

Rocking for Darfur - Stop the Genocide - please donate at
www.ajws.com

WED. Jan. 24th - 10 pm
$8 admission
%80 of group’s proceeds to benefit Darfur

at - The Lion’s Den
214 Sullivan Street
Between Bleecker and West 3rd Street
http://www.cegmusic.com/lionsden/

With:
Jason Caplan - guitar
Chilly G. - rapper
Alvin Harrison - bass
Shawn Hill - drummer

January 15, 2007

Martin Luther King, Jr., January 15, 1929-April 4, 1968

Filed under: WebLog — Peter Ferko @ 11:44 am

“I Have a Dream,” delivered 28 August 1963, at the Lincoln Memorial, Washington D.C. (see first comment to watch video)

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.

Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.

But one hundred years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and finds himself an exile in his own land. And so we’ve come here today to dramatize a shameful condition.

In a sense we’ve come to our nation’s capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men, yes, black men as well as white men, would be guaranteed the “unalienable Rights” of “Life, Liberty and the pursuit of Happiness.” It is obvious today that America has defaulted on this promissory note, insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check which has come back marked “insufficient funds.”

But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. And so, we’ve come to cash this check, a check that will give us upon demand the riches of freedom and the security of justice.

We have also come to this hallowed spot to remind America of the fierce urgency of Now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood. Now is the time to make justice a reality for all of God’s children.

It would be fatal for the nation to overlook the urgency of the moment. This sweltering summer of the Negro’s legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning. And those who hope that the Negro needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual. And there will be neither rest nor tranquility in America until the Negro is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.

But there is something that I must say to my people, who stand on the warm threshold which leads into the palace of justice: In the process of gaining our rightful place, we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plane of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again, we must rise to the majestic heights of meeting physical force with soul force.

The marvelous new militancy which has engulfed the Negro community must not lead us to a distrust of all white people, for many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. And they have come to realize that their freedom is inextricably bound to our freedom.

We cannot walk alone.

And as we walk, we must make the pledge that we shall always march ahead.

We cannot turn back.

There are those who are asking the devotees of civil rights, “When will you be satisfied?” We can never be satisfied as long as the Negro is the victim of the unspeakable horrors of police brutality. We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. *We cannot be satisfied as long as the negro’s basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as our children are stripped of their self-hood and robbed of their dignity by a sign stating: “For Whites Only.”* We cannot be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no, we are not satisfied, and we will not be satisfied until “justice rolls down like waters, and righteousness like a mighty stream.”

I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow jail cells. And some of you have come from areas where your quest — quest for freedom left you battered by the storms of persecution and staggered by the winds of police brutality. You have been the veterans of creative suffering. Continue to work with the faith that unearned suffering is redemptive. Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed.

Let us not wallow in the valley of despair, I say to you today, my friends.

And so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream.

I have a dream that one day this nation will rise up and live out the true meaning of its creed: “We hold these truths to be self-evident, that all men are created equal.”

I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.

I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.

I have a dream today!

I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of “interposition” and “nullification” — one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.

I have a dream today!

I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; “and the glory of the Lord shall be revealed and all flesh shall see it together.”

This is our hope, and this is the faith that I go back to the South with.

With this faith, we will be able to hew out of the mountain of despair a stone of hope. With this faith, we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith, we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.

And this will be the day — this will be the day when all of God’s children will be able to sing with new meaning:

My country ’tis of thee, sweet land of liberty, of thee I sing.

Land where my fathers died, land of the Pilgrim’s pride,

From every mountainside, let freedom ring!

And if America is to be a great nation, this must become true.

And so let freedom ring from the prodigious hilltops of New Hampshire.

Let freedom ring from the mighty mountains of New York.

Let freedom ring from the heightening Alleghenies of
Pennsylvania.

Let freedom ring from the snow-capped Rockies of Colorado.

Let freedom ring from the curvaceous slopes of California.

But not only that:

Let freedom ring from Stone Mountain of Georgia.

Let freedom ring from Lookout Mountain of Tennessee.

Let freedom ring from every hill and molehill of Mississippi.

From every mountainside, let freedom ring.

And when this happens, when we allow freedom ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual:

Free at last! Free at last!

Thank God Almighty, we are free at last!

source of text (which includes photos and audio of speech), American Rhetoric

image, Nobel Prize

January 12, 2007

Slavic Soul Party

Filed under: WebLog — Peter Ferko @ 5:12 pm

Picture 2.gifI’ve heard Matt Moran, vibraphonist extraordinaire, with John Hollenbeck’s groups, but I haven’t yet made it to Barbes for his weekly performances with his Balkan-style, jazz-revised brass band Slavic Soul Party. I got the chance to sample some today, bookended by a very lively discussion with brass band composer Frank London and WNYC’s John Schaeffer. You can listen to it in the archive (I love this archive thing!). Matt had some good advice for musicians trying to get a handle on the insane rhythms of Balkan music: stop counting and listen — it’s phrase based.

Annual Arts Night

Filed under: Events — Peter Ferko @ 12:20 am

MT. SINAI JEWISH CENTER ANNUAL ARTS NIGHT
AND FUNDRAISING EVENT

Artwork, Photographs, and Judaica by Jewish Artists
will be on display and for sale
With Musical performance by Jason Caplan’s Naqshon’s Leap

Saturday Night, January 13th, 8:30 pm
135 Bennet Ave. ( @187th Street )

Admission: $8 fee for members, $10 for non-members
Refreshments will be available

With any questions, please call Shlomo @ (917) 816-4806
Or email Shlomo@artsidoxy.com

January 11, 2007

erase your head

Filed under: WebLog — Peter Ferko @ 2:00 pm

Director David Lynch described to Leonard Lopate how Transcendental Meditation has been helping him make films since he learned how during the filming of “Eraserhead.” Find the interview on WNYC’s archive. He’s also written a book about it, Catching the Big Fish.

Next Page »