Artists Unite Issue

Like So Many Things… 

(but so very unlike most of what’s out there in viral video garage band land)

In 2001 BMW set the bar for short indie film work on the internet with the magnificent series “The Hire.” And then they came back and hit it high again with the 2002 edition   really setting us up for a big fall. How exciting was that? It seemed like a promise of great things to come but instead it’s mostly been Jackass style hi-jinx, family pet, and frat boy part-tee videos, or uploads of that guy doing his jig or the Complaint Chorus since then. Some things better than others, but still basically nothing more than visual garage band land - “uh-huh, that’s great, good for you, yeah and oh hey, are you gonna finish those fries” stuff. Nothing nowhere near what “The Hire” was about – which is inspired short feature filmmaking.1

Probably there’s been some good video work out there on the so called “viral video” scene that is trying to break away, but I’m not finding it. Luckily IFC has also been on the lookout for good work for their website programming and they found something: “Like So Many Things…,” a new online video series by This Thing Films. “Like So Many Things…” is smart and funny, beautifully shot and edited, well acted and well directed with good writing - seven “webisodes” that are spot on and spot on for the internet.

The series follows Lucy and Karl, two lonely, but young and game, hearts who meet at a bar on a Friday night. We meet them when Karl (played by Greg Keller) runs out of the bar looking for Lucy (played by Marin Gazzaniga) with an offer to walk her home.

Okay, they just left a bar; they’d been drinking; figure reason and sound judgment, or at least common sense standards, have dropped far out of sight. That leaves them thinking they maybe got something here and neither wants to let go of the possibility of a possibility so they’re off and running, or rather lurching and stumbling about, in pursuit of the connection.  The filmmakers run that thread through the seven episodes of timed and chanced meetings of this idiotic, pathetic, funny, charming and dear duo with great success.  Episode 2, Future Days, Future Nights, begins on a wonderfully comical moment as Lucy and Karl run into each other on the street and stand on opposite sidewalks shouting their conversation over and through the traffic. It’s as hilarious as it is touching and sad and you find yourself shaking your head wondering what’s wrong with these two while hoping like mad that they can get it right.  You recognize them; they’re familiar in fact that could be you out there – or me. Could be, that is, if our lives are so much more together.

As the story takes turns, leaps here or bounds there, and suggests, hides, or reveals itself the filmmakers are right on it, with nary a misstep, and like good short film making the pieces have the tease that slips in from nowhere lands a punch, or a slap, a soft caress or a kiss, and then just as just when you thought you were getting on to it; it slyly slides out of your life.

(1 The Complaints Chorus is good, but it’s the choral work that inspired, not the filmmaking, and this is true of most of the good video work on the internet - the good part isn’t related to video/filmmaking, and that’s what we’re talking about here; that’s what we’re wanting.)

* Carol Ann Duffy
* The Guardian, Saturday 13 June 2009

How it makes of your face a stone

that aches to weep, of your heart a fist,

clenched or thumping, sweating blood, of your tongue

an iron latch with no door. How it makes of your right hand

a gauntlet, a glove-puppet of the left, of your laugh

a dry leaf blowing in the wind, of your desert island discs

hiss hiss hiss, makes of the words on your lips dice

that can throw no six. How it takes the breath

away, the piss, makes of your kiss a dropped pound coin,

makes of your promises latin, gibberish, feedback, static,

of your hair a wig, of your gait a plankwalk. How it says this –

politics – to your education education education; shouts this –

Politics! – to your health and wealth; how it roars, to your

conscience moral compass truth, POLITICS POLITICS POLITICS.

Ms Duffy makes sarcastic use of phrases such as Tony Blair’s “education, education, education” and Gordon Brown’s “moral compass”.

Duffy is the first female poet laureate in the post’s 341-year history.

The poem aims to attack the effect of politics on idealism.

Call for artwork:

Artists Unite Creative Venues: Projection Show
June 25-27

When is a wall not a barrier?

Artists are invited to submit video or still images of work in any medium. The work will be projected onto a prominent building wall in northern Manhattan (the exact location in Washington Heights/Inwood will be announced once approval is finalized). 

Please submit work that considers the concept of wall — barrier, community, container, environment, canvas, etc. — in ways that transcend the cynical. The exhibition aims to create an instance of inspiration and wonder, using scale, wit, abstraction, analogy, and inquiry. The exhibition will simultaneously be exhibited online and remain as an archived exhibition at www.artistsunite-ny.org

Washington Heights/Inwood is a diverse community with a prominent Latino population and many visual and performing artists. The exhibition will be viewed by the general public over three evenings and coincides with the Uptown Arts Stroll, a month-long celebration of the arts in Northern Manhattan.

The exhibition will be drawn from invitations by the curators and through submissions.

To submit work for consideration, join Artists Unite’s member network if you haven’t already (http://artistsunite.ning.com) and upload submissions according to directions below. IMPORTANT: in the tag field for each photo or video, enter the word “wall” (Work without this tag will not be seen as a submission). Then send an artist statement and resume to websubmissions@artistsunite-ny.org.

• Photography or still images of other media: At the member network site, click on the tab Photos and then on the link “Add Photos.” Upload up to 6 images for consideration. Images should not exceed 2MB.
• Video: At the member network site, click on the tab Video and follow the upload procedure. Videos should not exceed 50MB and should be no more than approximately 1 minute in length and without sound.

Deadline for submission is Friday June 12 at midnight. Selection notifications will be made in approximately 2 weeks.

Curated by Anthony Archibald J. and Peter Ferko

Send questions to websubmissions@artistsunite-ny.org

While I like the social networking tendencies of web 2+, I don’t really have time to keep up with it. And there’s not too often I feel like I’m missing out. There are far too many facebook entries that sound like what I might hear from school kids as they gab with each other walking up the street to a field trip (I want some candy, billy’s a jerk, I’m tired of this walk, monica’s cute). Of course it’s all made up for by the terrific opportunities to reconnect with a long lost friend, or to hear about a great event or cause, or to find out your colleague is in Bali and forgot to tell you.

So I was relieved to hear about the study by Bill Heil and Mikolaj Piskorski that found that Twitter is less of a conversation than a personal publishing platform for a select few. That means I don’t necessarily have to start following more people as the average user only tweets once per 74 days and 90% of the tweets are coming from 10% of the tweeters anyway. Now that the pressure’s off, I’ll go tweet that I’ll be tweeting you in about two months.

Of course artists will find uses for tweeting. Publishing, experiments in community and events, virtual this and that. That would be something to follow…

Here’s the study announcement: http://blogs.harvardbusiness.org/cs/2009/06/new_twitter_research_men_follo.html