|
Anthony Gonzalez
Washington Heights, New York City
A crepuscular creature climbs from its cube, carefully calling
"koo-o-o-h" (caught in mid phoneme)
scotch tape collage and photoshop
|
|
Karen Greene
Washington Heights, New York City
untitled
photograph
I ws down on Canal street and stopped by my favorite doorway to see what
had been added to my oft photographed site-- it has evolved to another
state almost completely. the only way I know it was the same place was
the figure's right foot still showed. all else has been changed/covered/forced
to evolve? Here it is. At the bottom right it says, "Jesus saves"--
and so do photographers.
|
|
Edie Nadelhaft
New York City
Twice Shy (One Shot)
oil on canvas, 24" x 24"
| |
Claire Adas
Lambertville, New Jersey
Malcolm and Isaac on the Bridge at 11am
digital video
The most important thing is keeping my patience and recognizing a moment
for a moment. |
|
Isabela Oldak
Poznan, Poland
henna tattoo
photograph
Recently I was in Morocco. It was my second trip there, and for sure
not the last one.
I returned with henna tattoo. It was a traditional ornament, painted on
hand.
After that I started to think what the power can a tattoo have if you
treat it like a weapon, what outgrow from tradition of tattoo.
Today I've written on my hand Arabic word: al horey'a, it means freedom.
I treat this tattoo like a conversation stimulus .
If someone is curios , he will ask what this inscription means, and this
can be a basis to start talking. For most of people, freedom is valuable
notion, but freedom write in arabic, on hand of white person, enforces
for deepest analysis .
We can observe now that Europe fears Islamic religion and culture, and
United States changed the meaning of the real message from Quran. So this
tattoo is a manifest against all this disagreement.
And maybe this small action and discussion about all this problems can
have a power to change or force someone to think about this notion with
reference to Arabic and Islamic culture.
|
|
Stephen Beveridge
Washington Heights, New York City
she never looked back
Important thing: nothing. none of it's important |
|
Peter Ferko
Washington Heights, New York City
Self-portrait in a Dark Polish bathroom
photograph
After two weeks of shooting photographs all day long, I am feeling relatively
dexterous in my technique. I liked the absurd notion of shooting in the
dark. The mirror-camera positioning was the most challenging part for
some reason. Maybe with so many things to confuse me in a new country,
this last one took it over the top.
|
|
Rosa Naparstek
Washington Heights, New York City
Three
Mixed Media: Digital Photo w/digital lines
On My Mind:
I envy people who get "signs", have intuitive hits and "just
know". I most often just struggle. The other day, anxious about missing
a Castle Village Garage Sale. I tried to calm myself by saying, whatever
I need will be there when I get there (stuff is the staff of my work).
Finally, getting out of the house much too late, but at my own chosen
speed, I ran into a couple, who had I left a moment earlier, I would never
have seen. They told me about a sale I did not know about and that it
was the best. Forsaking all others, I ran there immediately. Unfortunately,
it was an estate sale. The collection of "things" was eclectic,
artistic, sensitive, extensive.
I met John, Julia's son, who told me that his mother had been an artist,
writer and journalist_born in Siberia and died too young.
I bought many things, and among them Three very much like what I already
have on my shelves. Then, when John, a writer himself, sent me a poem
in rhyme about his mother...I finally realized that I too had gotten a
"hit". Much of my artwork has accompanying rhyme.
Below is the poem by John and below that "Three" pieces from/and
for Julia.
While going through your things I start to wonder
Just what these objects really mean to me
A silver spoon, old postcards, or a compact filled with powder
A message in a bottle that belongs at sea
I think about our tiny stature next to stars but,
They too are born, die, then explode
And still their dead light from a million miles away
Continues to illuminate our world
I marvel looking at these remnants of your life on earth
And in a Chanel compact I can see divinity
I see the cycle of our lives go back in time, from death to birth
And feel infinitesimal become infinity.
John Kolchak: LA, CA
|
end of exhibit
go back to the beginning
to leave this exhibit press the button below...
|