|
mon.-sun.
Installation
Acc. 1176.2007.a-j
|
1996 |
Video (black and white, silent; 120 min.), seven VHS tapes, TV, VCR, gray metal stand |
Dimensions variable ⌀c 0.00 cm · ⌀ 0.00 cm · L 0.00 cm · 0.00 kg · seat 0.00 cm
|
Media and Performance |
Gift of Rena Conti and Ivan Moskowitz |
|
Stairmaster Suite: Set 4, #4 (7-18-96), Stairmaster Suite: Set 4, #10 (7-28-96), Stairmaster Suite: Set 4, #16 (8-3-96), Stairmaster Suite: Set 4, #22 (8-18-96), Stairmaster Suite: Set 4, #28 (9-3-96)
Drawing
Acc. 1934.2005.a-e
|
1996 |
Ink on five pieces of printed paper |
Each: 4 3/4 x 9 3/4" (12.1 x 24.8 cm) ⌀c 0.00 cm · ⌀ 0.00 cm · L 0.00 cm · 0.00 kg · seat 0.00 cm
|
Drawings & Prints |
The Judith Rothschild Foundation Contemporary Drawings Collection Gift |
|
Stairmaster Suite: Set 6, #6 (7-20-96), Stairmaster Suite: Set 6, #12 (7-30-96), Stairmaster Suite: Set 6, #18 (8-14-96), Stairmaster Suite: Set 6, #24 (8-23-96), Stairmaster Suite: Set 6, #30 (9-6-96)
Drawing
Acc. 1935.2005.a-e
|
1996 |
Ink on five pieces of printed paper |
Each: 4 3/4 x 9 3/4" (12.1 x 24.8 cm) ⌀c 0.00 cm · ⌀ 0.00 cm · L 0.00 cm · 0.00 kg · seat 0.00 cm
|
Drawings & Prints |
The Judith Rothschild Foundation Contemporary Drawings Collection Gift |
|
The Body Song
Video
Acc. 1649.2009
|
1997 |
Video (color, sound) |
5:57 min. ⌀c 0.00 cm · ⌀ 0.00 cm · L 0.00 cm · 0.00 kg · seat 0.00 cm
|
Media and Performance |
Gift of The Contemporary Arts Council of The Museum of Modern Art and Committee on Media and Performance Art Funds |
|
Bach Two Part Invention #9
Audio
Acc. 854.2013.143
|
1998 |
CD |
cover: 4 7/8 × 5 5/8" (12.4 × 14.3 cm) ⌀c 0.00 cm · ⌀ 0.00 cm · L 0.00 cm · 0.00 kg · seat 0.00 cm
|
Drawings & Prints |
Committee on Prints and Illustrated Books Fund |
|
Silent Movie
Installation
Acc. 1648.2009
|
2003 |
Video (black and white and color, sound; 10:03 min.) and digital player piano |
Dimensions variable ⌀c 0.00 cm · ⌀ 0.00 cm · L 0.00 cm · 0.00 kg · seat 0.00 cm
|
Media and Performance |
Gift of Martin and Rebecca Eisenberg, Jerry I. Speyer and Katherine G. Farley, and Committee on Media and Performance Art Funds |