Maurizio Bianchi
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions. (from Wikipedia) Italian composer Maurizio Bianchi (1955) produced his first tapes of noise in the early 1980s, at the peak of the industrial scene, but his chao
Links: Official site · FMA profile
Catalogue & Listenership
Tracks
11
Albums
2
Total audio
59m 45s
FMA listens
4,049
Favourites
20
Avg bitrate
256 kbps
Genre & Licence Profile
- Attribution 3.0 United States — 10
- Attribution-Noncommercial-No Derivative — 1
Top Tracks by Listens
| Track | Album | Year | Duration | Listens |
|---|---|---|---|---|
| Die Erbsuende | Weird Forest Records Sampler One | 2010 | 3m 18s | 514 |
| Treblinka | Symphony For A Genocide | 1981 | 9m 14s | 474 |
| Sordide Sentimental | Symphony For A Genocide | 1981 | 2m 52s | 466 |
| Accop (6) Ehte | Symphony For A Genocide | 1981 | 3m 07s | 454 |
| Auschwitz | Symphony For A Genocide | 1981 | 3m 58s | 383 |
| Belzec | Symphony For A Genocide | 1981 | 7m 16s | 380 |
| Chelmno | Symphony For A Genocide | 1981 | 6m 25s | 306 |
| Anesthesie Total | Symphony For A Genocide | 1981 | 3m 12s | 297 |
| Sobibor | Symphony For A Genocide | 1981 | 9m 57s | 279 |
| Auschwitz (Reprise) | Symphony For A Genocide | 1981 | 3m 47s | 275 |
Track Length Distribution
| Length | Tracks | Share |
|---|---|---|
| 1–3 min | 1 | 9.1% |
| 3–6 min | 5 | 45.5% |
| Over 6 min | 5 | 45.5% |
Track Catalogue
11 tracks shown
| Track | Album | Genre | Duration | Listens | Licence |
|---|---|---|---|---|---|
| Die Erbsuende [1, 17, 38, 42] | Weird Forest Records Sampler One 2010 | 3m 18s | 514 | Attribution-Noncommercial-No Derivative | |
| Treblinka [32, 70] | Symphony For A Genocide 1981 | 9m 14s | 474 | Attribution 3.0 United States | |
| Auschwitz [32, 70] | Symphony For A Genocide 1981 | 3m 58s | 383 | Attribution 3.0 United States | |
| Maidanek [32, 70] | Symphony For A Genocide 1981 | 6m 39s | 221 | Attribution 3.0 United States | |
| Auschwitz (Reprise) [32, 70] | Symphony For A Genocide 1981 | 3m 47s | 275 | Attribution 3.0 United States | |
| Belzec [32, 70] | Symphony For A Genocide 1981 | 7m 16s | 380 | Attribution 3.0 United States | |
| Chelmno [32, 70] | Symphony For A Genocide 1981 | 6m 25s | 306 | Attribution 3.0 United States | |
| Sobibor [32, 70] | Symphony For A Genocide 1981 | 9m 57s | 279 | Attribution 3.0 United States | |
| Accop (6) Ehte [32, 70] | Symphony For A Genocide 1981 | 3m 07s | 454 | Attribution 3.0 United States | |
| Sordide Sentimental [32, 70] | Symphony For A Genocide 1981 | 2m 52s | 466 | Attribution 3.0 United States | |
| Anesthesie Total [32, 70] | Symphony For A Genocide 1981 | 3m 12s | 297 | Attribution 3.0 United States |